Post by Max Kameren on Apr 9, 2020 23:44:24 GMT -5
It was dusk in Godric's Hollow. In the spring the streets glowed pink at sunset, the windows of the homes reflecting orange shapes on the passersby on their evening walks. As the sun got lower lights would flicker on in those same spaces. Vignettes of life would begin to play out from the streetview; happy families, arguments, quiet dinners. One house at the end of the lane, usually lit into the late hours, was particularly quiet tonight. The family that lived there had absconded; two off to school, one to study abroad, one off this mortal coil. And the last one, the one who had felt stuck for so long, would finally be off in the wind. Once his plans were set.
Tonight was the beginning. He was meeting a guest, but when she arrived, the door would be locked. The lights were out, and the house was quiet. No one was home. But as soon as she heard a stirring in the front lawn, Willow would bound up to one of her very favorite people and lean against her, begging for attention and nuzzling into her legs. When they found each other something would be rather glaringly amiss, wedged into the dog's collar.
A light switch. It had the plate attached but was otherwise disembodied, its clear plastic switch glowing ominously when removed from any electricity. Scrawled across the plate, in Max Kameren's wobbly three-fingered script, are three words: flip the switch.
Tonight was the beginning. He was meeting a guest, but when she arrived, the door would be locked. The lights were out, and the house was quiet. No one was home. But as soon as she heard a stirring in the front lawn, Willow would bound up to one of her very favorite people and lean against her, begging for attention and nuzzling into her legs. When they found each other something would be rather glaringly amiss, wedged into the dog's collar.
A light switch. It had the plate attached but was otherwise disembodied, its clear plastic switch glowing ominously when removed from any electricity. Scrawled across the plate, in Max Kameren's wobbly three-fingered script, are three words: flip the switch.